by Madeline Sharples
Magical thinking is an ancient idea that if a person hopes for something enough or performs the right actions, an event can be averted or turned around. Though this kind of thinking made no sense to me, I couldn’t stop doing it in the first months and years after my son’s suicide death. I didn’t want to believe that my son was really gone – I didn’t want to believe that it was true, that I would never see him, talk to him, or hold him again. Magical thinking was my way of hiding that reality from myself.
Joan Didion in her book The Year of Magical Thinking described her own magical thinking, particularly how she wouldn’t give away her husband John Gregory Dunne’s shoes after his sudden death of a heart attack because he would need them when he returned. And ever since Etan Patz went missing thirty-three years ago in the Soho district of New York City, his parents have never moved nor changed their phone number in hopes he might return or call. Perhaps this is because there has never been closure – Etan’s body has not been found and no one has been convicted of his killing. However, it seems more like magical thinking to me.
I wrote about my magical thinking in my memoir. Even the title, Leaving the Hall Light On, refers to it. Our story was different for the Patz story because our son was declared dead by a coroner who examined his body, and we buried his ashes. But even though many of our friends and family encouraged us to move because his suicide took place in our home, I didn’t want to move or change our phone number for fear Paul wouldn’t know how to make his way back. I wanted him to know we were still here waiting for him.
For a long time, I waited for that familiar sound of his Volvo coming into the garage, the sound of the door from the garage slamming as he entered the house and went down the hall to his room, the sound of him walking around the house at night, the sound of the door opening and closing as he went in and out of the house. In fact, for a while I thought I heard those sounds. And for a long time I left most of the things in his room and closet alone for fear of removing his presence there, refusing to give away his things like Didion, in case he would need them.
Leaving the hall light on became another one of the things that helped me get through it. We left the hall light on for him when he was home, so I just couldn’t break that routine. However, my husband Bob and I had a push-me, pull-you interaction about it. Bob always had a habit of turning off all the lights before he went to bed. Since he usually went to bed after me, I would wait until he got into bed. Then I’d get up and turn on the hall light again. Sometimes we’d go back and forth on this several times in one night. If he forgot his glass of water he’d get up and turn the light off again. If he needed a certain vitamin from the kitchen cabinet, he’d get up, go into the kitchen to get what he needed, and then go down and turn the light off again on his way back to bed. And, if I fell asleep before him, I’d wake in the middle of the night and go back down to turn the light on once more.
Once in a while I’d ask him to leave it on. If he asked why, I’d give him the lame excuse that I needed a light on to guide me through the house when I left to go to the gym in the early morning dark. Sometimes he’d buy that. Most of the time he’d forget and turn off the light.
However, only in the last two or three years, leaving the hall light on has become less and less important. That meant I was healing. It also meant that I had faced the reality that magical thinking and leaving the hall light on would not bring him back, so my magical thinking phase of my grieving process was over. We have also given away most of his things. However, we still haven’t moved and changed our telephone number in the twelve years since our son’s death – and we don’t intend to.
About the Author: Madeline Sharples studied journalism in high school and college and wrote for the high school newspaper, but only started to fulfill her dream to work as a creative writer and journalist late in life. In the meantime she worked most of her professional life as a technical writer and editor, grant writer, and proposal manager. She sold real estate for ten years while her boys were growing up, and instead of creative writing, she took creative detours into drawing and painting, sewing, quilting, and needlepoint.
Her memoir, Leaving the Hall Light On: A Mother’s Memoir of Living with Her Son’s Bipolar Disorder and Surviving His Suicide, was released by Lucky Press LLC in 2011. It tells the steps she took in living with the loss of her oldest son, first and foremost that she chose to live and take care of herself as a woman, wife, mother, and writer. She hopes that her story will inspire others to find ways to survive their own tragic experiences.
She also co-authored Blue-Collar Women: Trailblazing Women Take on Men-Only Jobs (New Horizon Press, 1994), co-edited the poetry anthology, The Great American Poetry Show, Volumes 1 and 2, and wrote the poems for two photography books, The Emerging Goddess and Intimacy (Paul Blieden, photographer). Her poems have also appeared online and in print magazines. Madeline’s articles also appear regularly in the Huffington Post, Naturally Savvy, PsychAlive, and Open to Hope. She also posts at her blogs, Choices and at Red Room.
She is currently writing an historical fiction book, but her main mission is raising awareness, educating, and erasing the stigma of mental illness and suicide, through her writing and volunteer work, in the hopes of saving lives.
Read an article by her son, Ben Sharples: Not a Walk in the Park